My dream is a movie:
shot opens up on an apt door opening with two adults standing outside, they scream. Same door, two kids standing outside, they scream. POV shot of the door opening to the inside, where a horse is making a funny face. Shot of the apt door once again, this time with a man standing there, unmoved by the horses display. The horse seems disappointed. The man is older with brownish greyish hair. He's kind of plump. The shot follows the man into his apartment where there is a coffee table in the living room, a sofa and an arm chair. There is a knock at the door. The man answers the door and the horse is there wearing fake fangs.
"it's better, but I'm still not scared," the man says. The horse neighs in disappointment. As the horse returns to his apt a little boy steps up from behind him. He is a blond haired boy, dressed nicely. The man invites the boy in. The two go sit in the living room.
"Well, that's a very different look for you," the boy comments.
"I got tired of looking funny, unlike my companion, so I had this made. It works out quiet well, I can go places without all the gawking, and it makes for an easy halloween costume." As the man is saying this, he unscrews his head and places it on the sofa next to him. The boy isn't moved by this at all, and is instead paying attention to a triangle, the percussive instrument, that is sitting on the coffee table. It is not shaped like the instrument traditionally is shaped, but it works the same. There is colored sand laid out on the coffee table, and when the boy strikes the triangle the sand starts to vibrate and move on account of the ringing. The sand moves into a perfectly straight line on the table, with the colors falling in the order of the spectrum.
"By God, you've done it; you've created the perfect note," the boy says in amazement. As he's saying this the man, with his head back on, sits down in the arm chair.
"Thank you Rich. I've been working on it for quiet sometime, with a lot of set backs."
"Well next week at the World's Fair your genius will be recognized," Rich says.
"And what about you, have you anything to speak of?" the man asks.
"No, I've been too busy with all the medical testing, and in my free time I try to do things with Suzy. Last week we went to the county fair, but I couldn't get on half of the rides."
"Have you made progress on the growth formula?"
"Not yet, but there's still hope. Speaking of which, I've got to get down to the center. I'll see you later Rocky, or are you using another name as well?" Rich jokes.
"I much rather like Rockafeller these days, it's kind of dignified. Good luck at the lab," Rockafeller says as he escorts Rich out. Rockafeller walks next door and knocks. The horse answers the door dressed like a clown.
"That's the best one yet," says Rockafeller with a smile.
Scene fades out. New scene opens up inside a high tech lab with a few doctors and nurses. In a lounge area are Rich and his wife Suzy, who is full grown. One of the doctors comes up and Rich leaves with him. They go into a huge elevator that not only has a giant electronic control panel but also a full lab counter. Rich goes up and pushes the button for the 14th floor. Instead of the elevator smoothly descending, it goes haywire and drops rapidly. Rich is hitting all the buttons, but nothing is working, until the nurse hits the big red override button and the elevator comes to rest...on the 14th floor. They all get out, a bit shaken, but no worse the wear. Rich and the doctor are walking down the hall, when a maintenance man approaches with a computer read out: Computer overload due to the genius' creative energy.
"Well, it looks like you overloaded the computer. Is there a problem you're working on right now Rich?" the doctor asks. Rich seems downtrodden.
"I just don't know what else there is," Rich replies. The shot follows the two as they walk down the hall looking over various charts. Then the shot goes to the outside of the building, where we see the Richy Rich logo in large letters on the top, and the street in front of the building is under construction. Shot goes back to Rich, who is with Suzie and others in a more passenger elevator. The automated voice of the elevator calls out each floor as they stop. Each floor is named after Rich (this is Rich8 exit), but when they get to the first floor (which Rich doesn't ever use) the elevator informs them that this is the Suzy exit.
"Hey, that's my name!" Suzy says excitedly. Rich is perplexed, slightly annoyed that not all the exits were named after himself, but he says nothing and smiles. He doesn't want to spoil Suzy's enjoyment. Suzy and Rich are out on the street and catch a public bus. It's very crowded and they are sitting in seats across the aisle from each other. Amid the peaceful din of the bus, Suzy turns to Rich and tells him that she is pregnant with his child. Rich doesn't know how he feels.
"So you won't be bathing alone anymore?" he asks.